Were you always creative as a child?
I’ve always been creative. When I was seventeen, I did hip hop and contemporary dance. I then stumbled into visual arts during high school as a different way to express myself and my creativity.
During university, I came to the realisation that I’d rather be painting than playing sport.
While studying art, I became more exposed to what art can mean and formed connections with other aspiring artists who had similar goals and passions.
The visual arts haven’t always been at the forefront of my life, but rather have slowly become something I’ve fallen more in love with over the years.
What fascinates you about art?
It’s the universal language of art. I’m always interested in ways to interpret art and wanted to create art that can be construed in a variety of ways.
Also, the beauty of art. My artwork is not always beautiful, but I think there is something important about always pushing to the forefront of what beauty means.
Our world places such an importance on beauty, although it can be subjective, beauty draws people in through its sense of wonder.
When you look at a beautiful wedding dress, those feelings of awe that emerge from that moment are what I’m chasing.
What have been some of the biggest inspirations behind your artwork?
It’s people. Taking my love of people, capturing their essence, and putting that on a page for everyone to see is what inspires me.
Can you share a bit about your creative process?
Each painting starts differently, but they all end up at the same destination.
My paintings usually start from photographs because I often don’t know when I will finish a painting, and need them to be readily available as a reference.
Then, I sketch from the reference photo and add layers until it’s where I want it to be.
From the inception through to completion, a portrait usually takes me six months because I’m usually very sporadic when working on my paintings.
As a creative, I find it hard to sit down and smash out an artwork for six hours.
However, I have become more disciplined now that I’m pursuing art full time. Sitting in front of the canvas is an enjoyable experience, but can be challenging, which is why I always find it good to have different pieces to work on.
Finally, what would be your three biggest pieces of advice you would share with fellow aspiring artists?
Firstly, have a goal and a plan to achieve it.
You need to have something to work towards, but you also need to be thoughtful about putting steps in place to realise that dream.
Art can often be so abstract and ethereal, as it can also be something to do for enjoyment, it can become easy to get lost in what you’re doing, which is why having a goal with a clear plan is important.
Secondly, say yes to opportunities that align with your goals, particularly if they are scary.
For example, there were moments where I used clay to make mugs and cups that I would sell at markets, which was fun at the time, but ended up being quite distracting from my actual goal of launching my first solo exhibition.
This may sound harsh, but you need to be clear in your vision. It’s not about withdrawing yourself from other passions; it’s about being focused and diving in when you don’t know the outcome.
Finally, be prepared to wait and be patient for the right opportunities.
While you’re waiting, get the runs on the board, work hard, and make art – all of it counts and won’t be wasted.
As an artist running your own business, it can be easy to get caught up in your work and forget all the amazing pieces you’ve created over time. So, take time to appreciate how far you’ve come.