Growing up, did you always have a passion for art?
I’ve always had a passion for art, I’ve been drawing and painting from the age of six.
I vividly remember attending art classes in Sri Lanka, this was where I discovered my interest in art and passion for creative sculpting and decorating.
Art has always been my creative outlet, and fortunately, my parents have always been so supportive, which has been great, as this has been such a cherished passion of mine.
Why did you decide to incorporate asemic writing in your art?
This wordless form of written art has allowed me to express myself without the limitations of conventional language.
When you write in a way that is non-legible, it gives you the freedom to express what you feel inside, and it doesn’t have to be read and understood by everyone – it’s like a form of therapy.
Language is subjective and can be interpreted in many ways based on individual experiences and cultural backgrounds. I find it particularly interesting as a language because it adds more depth, personal meaning, and creates an additional layer of significance and movement.
So, I think this flexibility and interpretation enhance the richness of asemic writing as an artistic form of expression, which is why I enjoy using it in my practice.
What have been some of the biggest inspirations behind your work?
The everyday activities and experiences I encounter, especially through my son, have been a constant source of inspiration.
My son is 11 years old, and he’s such a beautiful boy. Sometimes I’ll ask him to be involved in some of my artworks because I love capturing those moments of him growing up and changing.
The many cultural events and gatherings that I’m involved in inspire me greatly, and capturing the emotion of experiencing these events is special.
What do you love the most about your creative process?
The most exciting part of the creative process is the experimental phase before anything is set in stone – this is the stage where the real fun lies.
It’s a time without constraints or restrictions where I can freely discover and test the limits of creativity before I make a final decision on what to keep.
I think to develop as an artist, you need to learn as much as possible about your materials and your subject matter, and then fully explore them.
I’m often an overthinker, but I truly believe that as artists, we need to connect with our materials and embrace the process without ruminating too much.
In turn, we can push boundaries by exploring our skills and the materials at our disposal, and this is where I feel I truly excel.
Finally, what would be your biggest piece of advice for aspiring artists?
Keep developing your skills and learning new techniques until you find something that truly represents your authentic self and what you believe in.
Learning to accept rejection is crucial because not everyone will like your art. The journey isn’t always smooth, there will always be highs and lows.
At times, you may find yourself juggling multiple jobs along the way. In these times, it’s important to remain humble and grounded by understanding both the advantages and challenges that come with the journey.
I was fortunate to receive the support I needed from my family, which I believe greatly enabled me to dedicate myself fully to my practice for an extended period.
However, much of this journey revolves around yourself. Keep at it like a garden if you want to truly reap the rewards, and if things don’t go to plan, learn from the experience.
Discover more of Shanila’s work here.