The 2025 Indigenous Futures Artwork Competition has once again brought powerful stories to life—this year through a collaborative piece that embodies unity, respect, and shared cultural expression. Installed on the façade of Building 209, the winning artwork stands as a vibrant symbol of reconciliAction and a reminder of what’s possible when Indigenous and non-Indigenous voices come together.
Created by Bachelor of Communications student Desi Marliani and Curtin alumna and artist Fiona Reidy, the piece draws from deep listening, mutual respect, and a shared love for the Weelyark (black cockatoo). It is both a personal expression and a communal statement—reflecting the 2025 National Reconciliation Week theme, “Bridging Now to Next.”
For Desi, the journey has been transformative.
“This competition gave me a chance to listen, learn, and honour Indigenous perspectives through art. It’s more than a platform for creative expression—it’s a space where inclusion and understanding grow. It was a privilege to work alongside Fiona, and together create something that reflects our connection to each other and to Country.”
Fiona echoed these sentiments, sharing how their collaboration came from a place of friendship and a shared connection to the natural world.
“Our bond began with the Weelyark. Whenever we see them fly above, it’s like nature is sending us a message. To me, this artwork was an opportunity to create something meaningful together—celebrating culture, connection, and the journey of reconciliation.”
This year’s competition signals a shift. Rather than focusing solely on individual artistic recognition, it celebrates collaboration and relationality, spotlighting how partnerships can bring reconciliation to life in tangible and visual ways.
Associate Professor Mandy Downing, Dean of Indigenous Futures, emphasised the broader impact:
“As a Faculty of Humanities, we’re leading Curtin in shaping culturally welcoming and inclusive spaces. What I love most about this year’s piece is the relational aspect—it captures the essence of ReconciliAction: meaningful partnerships grounded in mutual respect and highlights what is possible when we unite.”
Professor Richard Blythe, Pro Vice-Chancellor of the Faculty, added:
“This project reshapes how we experience our campus. It invites us to better understand the stories of our Indigenous colleagues—and encourages others to see Curtin as a place they belong.”
As the artwork becomes a new fixture of the campus landscape, its presence will continue to spark curiosity and conversation. More than just a mural, it’s a statement of purpose—aligning with Curtin’s commitment to Indigenising the built environment and creating inclusive spaces where all students feel welcome.
Desi reflects on the competition’s lasting value:
“It’s a platform that doesn’t just showcase emerging artists—it celebrates Indigenous culture, invites non-Indigenous students into the conversation, and fosters connection across our community.”
The Indigenous Futures Artwork Competition remains a cornerstone initiative of the Indigenous Futures capability platform—making reconciliation visible, creative, and deeply felt. Through art, we’re reminded that the most powerful stories are often those shared between people, across cultures, and built on mutual respect.
The competition and winning piece also garnered wider attention, recently being featured in both the print and digital editions of The Examiner newspaper, further highlighting the growing impact of this initiative across the broader community.
Learn more about the story here and watch the highlight video below.
