What's On at John Curtin Gallery

Tour Once Known in the heart of Perth CBD! ✨
 
Through the beauty of art and recognition of place and time, these tours will offer a glimpse into the past and remind us of our journey together on a path of reconciliation.
 
Tours will encompass the history of the Old Perth Boys’ School in the context of its colonial history, and highlight the story of the Carrolup Child Artists and the purpose of the Once Known exhibition.
 
➡️ Tours run every Friday, starting 24 July 2026!
11am – 12pm
Free event, registrations encouraged
📍Old Perth Boys’ School (139 St Georges Terrace)
 
Each tour is led by Wajarri Nyarlu/Menang Yok Patricia Ryder, JCG Community Engagement Coordinator.
 
Find out more via the “Once Known” link in our bio! 🔗
 
Proudly supported by: @bfplperth @lotterywest @inside_bhp @colgateuniversity and #navigators
 
The Herbert Mayer Collection of Carrolup Artwork was generously donated for educational and research purposes by Colgate University, Hamilton, New York, USA.
 
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@perthartlist @universityartmuseumsaustralia @curtinuniversity

Inspired by the work of Christopher Pease, Uninvited Guests invites you to reshape a shared landscape using hand-sculpted introduced animals such as rabbits, sheep and cows.
 
Pease’s practice critically examines representations of Aboriginal people within colonial frameworks, challenging dominant narratives and exposing omissions.
 
As the installation grows, it reflects the lasting environmental and cultural impacts of colonisation, prompting reflection on belonging, Country and First Nations sovereignty.
 
In Christopher Pease’s Flora and Fauna II, Noongar men are posed in a Neo-classical style, echoing early European attempts to render First Nations people familiar within Western artistic traditions. They stand among native and introduced plants and animals.
 
From 1905 to the 1970s, Aboriginal people’s movement, employment, and access to places such as Perth were strictly regulated through permits and curfews, and they were denied full citizenship rights until the 1967 referendum.
 
Set against this context, Pease contrasts lived experience with the widespread production of decorative objects that romanticised the “noble savage.”
 
➡️ Explore more of Pease’s work and create your own air-dry clay animal at Terra Nullius, on show until 23 August.
 
@perthartlist @universityartmuseumsaustralia @curtinlifeaustralia@curtinalumni @curtinuniversity @perth.art.seeker @gallerysmith @chris_pease
 
Artwork: Christopher Pease, Flora with Fauna II, 2014 oil on canvas, 70 x 43 cm, Curtin University Art Collection. Donated through the Australian Government’s Cultural Gifts Program by Christopher Pease, 2015.

We`re open every Sunday! 🙂‍↕️

Why not come see our latest exhibitions from leading Minang/Wardandi/Bibbulmun Noongar artist @chris_pease and celebrated Kamilaroi/Gamilaroi artist @rekorennie.

Christopher Pease: Terra Nullius draws from museum archives and 19th-century colonial landscape painting, Pease reworks images that once framed Western Australia as empty and available for settlement, reinscribing Indigenous presence into landscapes through bold Noongar iconography.

Reko Rennie: OA_RR uses hand-painted cars, circular burnouts, and immersive soundscapes, to transform both desert and docklands into charged terrains of memory – declaring continuous Aboriginal presence, pride, and cultural authority.

John Curtin Gallery is free to the public and open Sundays 12pm - 4pm.

Explore sovereignty, resilience, and enduring connection to Country. 💛✨

🗓️ Exhibitions Open: 29 May - 23 August 2026

@perthartlist @universityartmuseumsaustralia @curtinlifeaustralia @curtinalumni @curtinuniversity @perth.art.seeker @gallerysmith_ @curtinbfagrads

Celebrating 50 years of NAIDOC Week. 💛✨

Through art, conversations and cultural experiences, at JCG we honour the voices, stories and creative expression of Aboriginal and Torres Strait Islander peoples, Elders, artists and cultural leaders whose creativity and resilience inspire and strengthen communities.

➡️ Documentary screening: Join us for a special NAIDOC Week screening of Ngaluk Waangkiny, followed by a conversation with Pop Ben Taylor Cuiermara AM (Noongar Yued) and Michelle White (Yamatji), Executive Producer, Community Arts Network.

➡️ Resilience Through Practice: This NAIDOC Week discussion will explore resilience through creative practice, join Nhanda Yamatji and Noongar man Glenn Iseger-Pilkington in conversation with First Nations artists Robyn Jean, Wendy Hayden and Brett Nannup.

➡️ 50 Years of NAIDOC Panel Talk: Set within Once Known, this discussion will explore the evolution of NAIDOC Week as a platform for advocacy, celebration and truth-telling, and consider its connections to the Carrolup story.

🔗 Find out more and register via the link in bio or at https://www.curtin.edu.au/jcg/explore/events/

@communityartsnetwork @curtinlifeaustralia @naidocweek

Experience Songlines 🌀🎶
 
Commissioned for Curtin University’s Geodesic Dome renovations, Songlines is a new immersive artwork by artist team Jahne Rees and Sharyn Egan.
 
Responding to the intersecting Djiridji (Zamia) and Kujal Kela (Twin Dolphin) Songlines, the installation weaves together sculptural elements, original songs in Noongar, and soundscapes recorded on Country to create a multi-sensory journey through place, language and cultural knowledge.
 
Visitors are invited to follow the circular pathways, moving through the space in rhythm with the songs and stories embedded within the work.
 
The Artists ✨
 
Jahne Rees (@scapeism) is a Western Australian artist working across sculpture and public art. Jahne’s company, Scape-ism has been predominantly working with public art commissions over the last 25 years.
 
Sharyn Egan (@sharyn_egan) is a Nyoongar artist whose multidisciplinary practice spans sculpture, textiles and public art. Her work draws on cultural knowledge, storytelling and connection to Country, often referencing traditional materials and processes.
 
Songlines, 2026. Jahne Rees and Sharyn Egan with Boomerang and Spear (Kylie and Clint Bracknell). Curtin University Art Collection. Image courtesy Soco Studios, photos by Alex Verhagen
 
@curtinuniversity @johncurtingallery @scapeism @sharyn_egan @boomerang_and_spear @signals_sound_laboratory @apparatus.art.culture
@iredalepedersenhook @aspectstudios @shape_aus @socostudios_ @_cole.baxter @cassandraedwards_ @curtin_exchange @curtinsports

Sit, pause and observe, join the Art of Slow Looking Tour on Thursday 25 June. 😌
 
Let JCG Education Coordinator Mel Macauley take you on a Slow Looking tour through the Gallery’s current exhibitions, Christopher Pease: Terra Nullius and Reko Rennie: OA_RR.
 
Through mindful observation and reflection, participants are invited to slow down, connect more deeply with the artworks, and share their insights over tea and coffee following the tour. ✨
 
📅 Thursday 25 June
📍 John Curtin Gallery (building 200A) 
Free event, open to the public.
🔗 Register via the link in bio!
 
See you there! 💛
 
📸 - Marnie Richardson

@universityartmuseumsaustralia @perthartlist @__melmacaulay__ @chris_pease @rekorennie @curtinlifeaustralia

How can art inspire action? 🤔

Join us for Dare to Advocate: Terra Nullius, an evening of art, conversation and reflection inspired by Christopher Pease: Terra Nullius. Through a guided tour of the exhibition and facilitated discussions, participants will explore themes of sovereignty, justice, and connection to Country, considering the many ways advocacy can take shape in our communities.

Following the tour, Curtin’s Senior Advisor for Diversity, Inclusion and Belonging, Sheldon Smith, will lead a facilitated session on advocacy and its many forms, with small breakout discussions hosted by university and community leaders across key social justice areas. Whether you`re already advocating for change or looking for ways to get involved, this is an opportunity to connect, learn, and reflect alongside others. 💛

📅 Thursday 18 June
📍 John Curtin Gallery Free event - All welcome.
🔗 Register via the link in bio!

Part of the Daring Series in partnership with Curtin University Advancement, under the Because They Dare annual appeal.

🖼️ Christopher Pease, Terra Nullius, 2022, oil on linen, 150 x 228 cm. Collection of Tim and Chris Ungar. Courtesy of the artist and Gallerysmith. Photography by Andrew Curtis.

Once Known is proudly supported by: @bfplperth @lotterywest @inside_bhp @colgateuniversity and #navigators @curtinuniversity @chris_pease #JohnCurtinGallery #OnceKnown #TruthTelling #Advocacy #PerthEvents

The 2026 National Reconciliation Week theme `All In` is a call to move beyond the sidelines and take part in reconciliation through our actions, conversations and commitment to a shared future.

Exhibitions and events across the gallery invite reflection, conversation and connection.👇

➡️ Explore Longing and Hope, curated by Curtin Fine Art students.

➡️ Take a guided tour through the Once Known exhibition.

➡️ Join artist Christopher Pease and Curator Lia McKnight as they discuss his latest survey exhibition Terra Nullius.

Reconciliation will not happen by itself, and it will not happen without all of us. 💛

🔗 Event information via link in bio.

@mioangela @rubycason.zip @brandon.clarke29 @zalimorganart @curtinbfagrads @curtinalumni @bfplperth @lotterywest @colgateuniversity @perthartlist @universityartmuseumsaustralia @curtinlifeaustralia @curtinalumni @curtinuniversity @perth.art.seeker @chris_pease

The artwork for the 2026 National Reconciliation Week campaign is by renowned Gumbaynggirr/Bundjalung artist Otis Hope Carey, who applied his distinctive style to create a colourful and optimistic visual representation of people from all walks of life being ‘all in’ to make change.